Book Review: The Complete Knifepoint Horror by Soren Narnia
Disclosure: I received this book as part of a Firstreads giveaway on the premise that I would read and review it.
One of the interesting aspects of writing is the self-imposed challenge. Poems in a rigid format, an exact number of words, not using gendered words–it can stretch a writer’s skills, even if the product isn’t always great art.
As described in its back cover blurb, The Complete Knifepoint Horror is an entire volume of short horror fiction stripped down to essentials. Tight first-person narration (a couple of pieces do cheat on this), no capital letters, paragraphs, page numbers or titles. No gratuitous mood-setting, fancy typography, anything like that.
For the most part, this works pretty well. When the author is “on”, the narrow format makes the story especially intense. On the other hand, it tends to flatten the contrast between narrators. Nineteenth-Century and Twenty-first-Century people “sound” identical in word choice and grammar. Sometimes if I put the book down for a moment, it was hard to tell where I’d left off, even with the aid of a bookmark.
As you might expect, full explanations are rare in these stories. Some come across as a series of random creepy events which may or may not be connected with the final horrific moment. Others leave the “monster” half-glimpsed and barely described, though there are a couple of straight-up ghost stories and a particularly good zombie apocalypse piece.
I’d also like to point out the “moss” story and the one with the deaf protagonist as innovative and especially worthwhile.
This collection should do well in audiobook or podfic format, though I would recommend having more than one reader to offset the flattening effect I mentioned above.
Recommended to fans of experimental fiction and horror fans with strong reading skills.
